Gunn, now at the helm of DC films, directed and wrote Superman. A movie that puts its audience right in the middle of the action. Superman has just lost his first battle, and he’s found himself in the middle of global political affairs. After Lex Luthor puts in place a very public smear campaign against the Kryptonian, Clark must come to terms with who he is, and what he wants to be, not only in his personal relationships but as Superman.

Wes Anderson’s new film, The Phoenician Scheme, is a good mixture of techniques and skills he’s not only used recently, but early in his filmography, as well as some new tricks he’s got up his sleeves.

With fun performances and witty writing, Mickey 17 is a great time at the movies, even if it doesn’t take itself too seriously.

Brady Corbet’s The Brutalist is a deep look into the American Dream and its ability to inspire people, while also sending them down paths that only result in trauma and tragedy.

Taking place during the beginning of Dylan’s career in New York, A Complete Unknown targets maybe the artists most boring personal moments, to focus on the music that was being made and the world around him constantly changing. And let’s be clear, the music is extraordinary.

Jason Reitman’s newest film pays homage to Saturday Night Live during its 50^th anniversary season. The film takes place mostly in real time during the 90 minutes that lead up to those very first 90 minutes of live sketch comedy the world has grown to love.